Because this anthology has many topics, I focus on a few that are particularly relevant to current events.

“PROPERTY RESTITUTION” GENERATES MUCH PUBLICITY FOR THE HOLOCAUST ITSELF

One might intuitively think that the primacy of the Jews’ Holocaust, over the genocides of all other peoples, is what had made the “property restitution” demands of the Holocaust Industry newsworthy, and ostensibly credible, in the eyes of the general public. In actuality, it was and is just as much the other way around. It is effectively a feedback process. Author and restitution-lawyer Michael J. Bazyler tacitly highlights this fact, as he writes, “To everyone’s surprise, even to the participants themselves, this campaign would become a major political issue not only in Europe but also in the United States. One illustration of the prominence of the Holocaust restitution movement was that more news articles were published about the Holocaust between 1995 and 2000 than during the fifty preceding years, and most of these articles focused on Holocaust restitution.” (p. 339).

Działania zachodniej propagandy, które mają zmusić narody Środkowej i Wschodniej Europy do zaakceptowania dominacji Holocaustu oraz bagatelizowania własnej historii

Tłumaczenie recenzji Jana Peczkisa na temat książki pt. Holocaust Cinema in the Twenty-First Century: Images, Memory, and the Ethics of Representation (revised edition) Gerd Bayer , Oleksandr Kobrynsky

Ta antologia może być przydatna, gdyż kataloguje wiele filmów związanych z Holokaustem. Dowiadujemy się również, że promocja Holokaustu, szczególnie w filmach, jest obecnie w dużym stopniu działaniem o charakterze międzynarodowym. Na przykład w latach 2000-2004 niemal 40 procent filmów o Holokauscie było przedsięwzięciami wielonarodowymi. (Kobryński i Bayer, str. 15).

 ByJan Peczkison June 20, 2018

Operacja Antypolska NKWD 1937-1938 
by Tomasz Sommer